Bangalore Days was a wonderful movie. Especially so because just like the protagonists, I was also very excited with the prospect of moving to the city. As a starry eyed teenager, whenever I was told that there exists a city in the South which is bigger that Delhi, more cosmopolitan than Hyderabad and cleaner than Kolkata, I wanted to become a part of the hustle and bustle of this city.
Was Bangalore a revelation when I finally got here a few years later? In some ways yes. The cosmopolitan aspect of it was true. You could find both Punjabi uncles as well as loud Bengali aunties in the midst of Malayalis and Telegites. The Kannadigas were difficult to find though.
For a first timer, it comes across as too huge a city to fathom in a day or more. It’s too vast and too impersonal at some level. In the film Divya remarks that there is no one and nothing in the city that she can call her own.
That sentiment of alienation among the crowd of Majestic and Shivajinagar is very familiar to me. Everyone is too caught up in their own worlds to notice the other. However, after a series of dramatic events, DIvya, Kuttan and Arjun come to terms with the ways of the metropolitan.
For a conservative good boy like Kuttan it means being comfortable with walking on the side of road where a couple is kissing. For Arjun, that means learning the importance of a career and establishing one self.
The wanderer becomes the settler and the conservative becomes a liberal. It is a city where dreams come true. A place not restricted by traditions and customs as much as the rest of the country; yet a place which smells of culture.
Bengaluru is Bengaluru for some and Bangalore for others. It is the go between for some who are seeking a transformation from traditional living to modern living and vice versa.
The American girl that Kuttan ends up marrying is the example of how people come here seeking culture. That aspect of the film rings a bell.
But what the filmmaker missed was the traffic, the over-crowded BMTC buses that Arjun travelled on, the eve teasing that Divya could have faced when she came back home alone post classes and the judgmental glances of the neighbours when Kuttan stayed back at his girlfriend’s house.
However, it is imperative that one gives artistic freedom to the filmmaker. Hence, keeping his perspective in mind, the film definitely did a good job in portraying the spirit of this vast, multifaceted city.